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Recommended Clubs from Enso Martial Arts Bristol
Posted by Doug on 21st December 2018
Jeet Kune Do Bristol (Backoff Martial Arts) – 1st Class Free – Charlie McGibney / Paris Elton
FANTASTIC NEW YEARS OFFER – 16 Classes £40 a Month!! (T & C Apply)
Tue 20:00 – 21:30 Windmill Hill
Weds 19:30 – 21:00 Workout Gym, Welshback
Thurs 19:00 – 20:30 Kingswood Boxing Centre, Kingswood
Sun 12:00 – 13:30 Clifton
Other classes and private tuition available please contact:
Call 07703800991
Mail join@backoff.club
Or Visit Bristol Jeet Kune Do backoff.club
Wing Chun Youth – Paul Anderson
Bedminster and Easton
Call 07956 304542
Mail paul@wingchunyouth.com
Or Visit wingchunyouth.com
Ip Man Wing Chun Bristol – Sifu Molly Jones
Baptist Mills
Call 07818 507 695
Mail sifu.mollyjones@gmail.com
Or Visit www.ipmanwingchunbristol.com
Original JEET KUNE DO Hits Bristol (Backoff Martial Arts) Charlie McGibney and Paris Elton
Posted by Doug on 21st December 2018
Alex: Hi Guys, please introduce your
selves.
Paris: Hi, I’m Paris Elton. Third
generation Original JKD instructor at Jeet Kune Do Bristol/BackOff club.
Charlie: I’m Charlie McGibney, also a
third generation Original Jeet Kune Do instructor/partner of the club.
A: And I’m here interviewing these JKD
masters. I say masters; you guys may not like to call your selves masters. I
know some people prefer to be called teachers?
P: Yeah, teachers or instructor.
C: Definitely not masters, instructors, but
still students.
A: Always.
C: Always!
A: What first interested you guys in
martial arts?
P: Well, it was when I was younger. Every
weekend my Dad would bring back a few Kung Fu films, like Jackie Chan films,
and I just really enjoyed them. I didn’t realize you could learn it, at the
time. That’s what got me into it.
A: So as a kid you were really enthralled
by Jackie Chan?
P: Yeah, I liked the dubbing as well. I
always found that very amusing, in a good way.
C: For myself, I was quite a small skinny
kid to start with. So, it was just finding a way to empower myself and stand up
for myself was how I got into it. I did Judo for a bit as a kid and Karate.
A: Both very different. So you were very
keen to get more confidence?
A: Was that in your teens?
P: With me, because I watched the films,
it wasn’t until later that I started. I had a bit of trouble with a gang, near
where I lived, so I thought I needed to do something about this, to give me a
bit of confidence if anything goes really bad. So I watch Enter the Dragon
every night for about three months, then I thought right, it’s time to go and
find something, and I found Taekwondo. It was very different, but I didn’t know
what Bruce Lee’s art was at the time. And you probably didn’t either, did you?
C: No. I actually found Taekwondo as well,
when I was fourteen. It was mainly from seeing Van Damme on the screen, and the
way he put his whole persona in to it. I just thought, wow! His screen presence
just blew my mind. And obviously his incredible kicks and agility
A: So, tell us about BackOff.
Charlie:
We’ve been training JKD for over twenty years and teaching for fifteen, so
created Back Off Martial Arts together, to unite our different but complimentary
teaching styles, skills and knowledge.
P:
As well as JKD, we have experience in Wing Chun. Thai Boxing, Boxing, Fencing,
Choy Le Fut, Shaolin, Jujitsu, MMA and Krav Maga. We’re
currently offering Jeet Kune Do four times a week in four different venues
across Bristol.
C:
The aim is to give people simple, practical skills and tools, which they can
use to protect themselves. So should the worst happen, they’ve got something to
rely on, and at the same time, teaching that it’s the last thing you should do.
Walk away if at all possible, but if you have to fight, really fight!
Alex:
Yes, I think that’s a good philosophy.
C: We want to give people the whole
experience, the spiritual side of things, the philosophy behind it, the health,
the fitness everything.
P:
I enjoy the traditional sides of Tai chi, Shaolin, the breathing techniques and
Qi Gong, which I got from experiences in China. I think it’s important for
people to do, meditation especially.
A:
Maybe you’ll teach that later.
P:
I don’t do enough of it myself, but when I do, suddenly life’s ten times
better. It gets rid of all the rubbish going on in the mind, and you have space
and quietness and you can go about your life and it feels like this is how it’s
meant to be.
A:
It’s amazing how much quieter the world is after only five or ten minutes
meditation.
P:
But how hard it is to do and yet it’s such a simple thing. That’s what I find
so puzzling.
C:
That’s so true!
P:
To just sit there and do nothing for five minutes. It’s such a hard thing to
do.
C:
That’s why it’s so hard, because it feels like you’re not doing anything, so
therefore you’re not meditating, but actually it is that not doing anything
that is meditation.
P:
Yeah, a bit of peace in the craziness.
A:
Absolutely, it’s all important. Certainly, doing martial arts pushed me and
other people I know, into taking the time to do things like meditation.
P:
Yeah! There’s a general progression. I think the Shaolin say “through war you
find peace”.
A:
Yes.
P:
And it’s the same sort of idea, you go through that aggressive part and you’re
training hard and while on the journey, you find your spiritual side.
C:
To live you have to die. That’s the ultimate thing, isn’t it. People want to
live but are afraid to die, but you have to die to live, because then you go through
that hardship and come out the other side. Comes full circle.
P:
The aim is to be a white belt, really, not a black belt.
C:
I think that’s true. It’s so easy to get your black belt and then stop, then
think, oh I’m a black belt that means that in two years time, even though I’m
not practicing or training, it’ll protect me, but the reality is unless you’re
always training and it’s always a part of you and you’re always staying sharp,
keeping some continuity going with the martial arts, then I think that’s the
danger. We’re always students, always growing and always more to learn.
A:
I think that really is a great philosophy to have in a class. Particularly
since you guys are teaching people how to kick ass, but also at the same time
you’re saying it’s the last thing you do. You should walk away first, try and
talk your way our of it, but then if you’re left with no other choice…
P:
That’s it. I’ve had a couple of situations. I remember a guy came at me, I
didn’t get the guy, but I think he could see in my eyes that if he moved, I was
ready, and then he just walked away, then came back and apologized later.
A:
I think that confidence that comes from doing martial arts and from feeling
confident within yourself, really shows. So if someone is starting on you on
the street, saying you this, you that, and if you just calmly stand there and
say ‘look I really don’t want to do this’, they start thinking ‘what’s this guy
doing, we’re clearly bigger and in his way…’
C:
Yeah. They think, ‘ah, why isn’t he giving me the reaction I want?’
A:
Exactly. I think that can…
C:
Throw them.
A:
Yeah! Throw them, undermine them slightly, but you’re not being aggressive as
well, therefore you don’t have two balances knocking into each other.
C:
That’s the thing, because obviously there are legal issues with some of the
stuff we do, that’s why we tell people that you don’t want to use this stuff,
it’s designed to shut someone down, to end it, break a leg, take their eye,
take their groin, it’s not just sport fighting, the aim is to disable and to
finish it as soon as possible, then get the hell out of there. You don’t want
to be standing around, especially with multiple attackers. There are so many
different variables; it’s always best to just go, as soon as you get the
advantage.
A:
I think that’s what every martial arts school should teach, but in some of the
more modern martial arts…
C:
It seems to be lost.
A:
Exactly! And I think it’s important for people to know that a lot of what we
see in martial arts films is a fantasy.
C:
Yes, the majority of situations you see in films are not realistic, as they’re
choreographed, and don’t represent free flowing combat.
A:
So there can be quite a lot of politics in martial arts. Where are you guys on
that?
C:
We’re not at all interested in politics, as JKD certainly has a lot of that. We
don’t get involved in that side of it. We encourage anyone of any system, any
background to come train with us and we’re confident with whatever they’ve done
before, we can help them. Because it’s all there, just simple practical ways of
moving and the science of JKD, which I meant to say earlier. There are three
facets of JKD; so you’ve got the philosophy, or theory, you’ve got the physical
art and you’ve got the science, if you haven’t got the science then you haven’t
got things like hitting with the longest weapon to the nearest target, so
dominance of front hand/foot striking. Shortest distance between to objects is
a straight line, that’s a fundamental truth and that’s why Jeet Kune Do is as
applicable now as it was forty years ago, when Bruce Lee was coming up with it,
because science doesn’t change. We’ve got two arms, two legs and his idea was
to use what we’ve got in the most efficient way. And that’s what we do, isn’t
it?
P:
Yeah, definitely!
A:
Would you say JKD is one of the more efficient martial arts?
P:
Definitely, that’s what it’s all about; being the most efficient with your
hands, then if you can find anything else that helps you become more efficient,
then you use that.
A:
One of the things I’ve heard about Jeet Kune Do, which I liked, is that it
encourages people to use what they’ve already got, and then JKD will enhance
that with it’s own style and from that you make it your own.
C:
That’s true, but one thing I’d say about that is, yes, but you express it
through the ‘tools’ of JKD, so depending on whether you’re left hander or right
hander, tall, short, fat, skinny, attributes of being naturally fast or more
sensitive, that’s your personal expression. So you’re still using the ‘tools’,
you’re still using the lead punch, the finger jab, the back fist, low level
kicks, because they’re all there. Bruce Lee critically looked at many different
styles and systems, taking elements from these. That’s the key. It’s elements
of different arts, not just piling arts on top of arts, technique on top of
technique. JKD primarily consists of boxing, fencing, savate kickboxing, wing
chun and elements of other Chinese arts. Ultimately, the ‘tools’ are the refinements
of JKD, so if you don’t have these tools, which are the physical art side, then
you don’t have JKD. So, it’s not just a case of taking anything to apply it and
call it JKD, because it’s not. You have to have the physical art, the science
and philosophy for it to truly be Bruce Lee’s Jeet Kune Do.
A:
Ok, I see.
C:
And then if you’re always guided by that art, philosophy and science, economy
of motion, directness, efficiency, then you can’t go far wrong.
P:
It might be changed a tiny bit, but it will still be very similar to the basics
of what it is.
A:
Obviously you’ve got to be adaptable and flexible, but if there are such set
tools and structures to it and a such a well-established foundation of this
art, how can it be enhanced or added to, as Tommy Caruthers did, while abiding
by it’s principles?
P:
Changing the drills that you do and the way that you do it, becoming more
efficient, cut the motion down, become better at timing and distance. It’s
refining.
C:
It’s problem solving.
P: Yeah.
It’s about finding a way to ‘catch’ them; if they’re moving back, I’ll go
forward, if they’re moving forward, I’ll go to the side or back. Contract and
expand, like what you’d learn in sparring.
C:
Exactly. It’s about tactics. Again, without that, you don’t have Jeet Kune Do.
P:
You have to go through the tools, and then if you wanted to you can get rid of
them. But it is what holds it together.
C:
That’s where we differ in opinion. Which is cool.
A:
Well, a different opinion’s great.
P:
But you can’t just call anything JKD. It’s like a plane on a runway; once you
take off, you can then decide to go your own way.
A:
But you need the tools to be able to take off.
P:
Yeah! That’s the way I like to look at it.
A:
It’s a good analogy.
P:
I do like the way Bruce Lee has allowed people to be a bit freer and to
research other styles, and find their own; that’s a good thing. It’s just when
they call it JKD, when they haven’t actually learnt it.
C:
Yeah. You need the art, the science, and the philosophy.
P:
It might be a JKD type thing…
C:
But it’s not Bruce Lees.
P:
Exactly. And then it’s bad to say the name, because Bruce Lee wanted to get rid
of naming things. But it has got a name.
A:
There always seem to be these little contradictions in martial arts.
Philosophies, you’re not supposed to say this and yet there is this rule.
P:
It’s a Buddhist thing, I think. Finding the middle of the two.
A:
It’s balance.
P:
Balance, yeah.
C: But
then in JKD it’s having no way as way, so no set way, which is important. So
we’re not saying you can’t, there are no definites to say you can’t, there are
never any definites in a fight.
P:
There’s wrong, but there’s no right. That’s a good one.
A:
One of the best things I’ve learnt through Wing Chun, which also helps me in
other things is; invest in losing.
P:
Absolutely.
A:
Because when I’m sparring or in a fight situation, I’ll be tense or stiff,
because I want to win, or at least I don’t want to lose.
P:
So your mind’s tense.
A:
Exactly. I’m thinking way too far ahead, and I’m not being present.
C:
We talk about that all the time. It’s about being in the now, and in life you
want to be in the now, you never want to be thinking about the outcome of
something or worried about the past. I think as humans we’re constantly
battling that. That sense of what might happen, because you don’t want to make
a mistake, but if you just let it be and let it flow… Again, Jeet Kune Do.
A: It’s
hard to have the philosophy of not wanting to get hit or not wanting to lose,
but I might, and having that ‘I don’t want to’ can keep you out of danger, but
also having the ‘I might’ makes you realize that I can get close to this person
and I have a chance gives you that balance of fear and confidence.
C:
And by being hit, you realize it’s not as bad as you think, and that you can
take a punch. And you learn from every encounter, every time you fall down you
should try and learn from experience and think about why you fell. And that’s
really how Jeet Kune Do was forged.
P:
Obviously Bruce Lee had lots of fights, so he got to test what works what
doesn’t work. I knew this guy when I worked in a Chinese take away, who been in
a lot of fights in Taiwan, and they weren’t just any fighters but other martial
artists, and he used to teach me a few moves. Basically what he said was every
time he fought them, he would think how can I get them quicker next time; what
did I do wrong how could I get them better, and each time he would simplify it.
C:
Yeah, he J-K-D –ified it!
P:
Yeah, he Jeetified it!!!!!
C:
I like that! “Jeetified”!
A:
So, is there anything you’d like to say about your school?
C:
Yeah, we run four classes a week, all different locations, all fairly central
to Bristol. It’s free for everyone to try, and we encourage people to come
along and have a go. If it’s for them great, if not, they’ve lost nothing. We’re
doing a fantastic new years offer for January; £40 for all four classes a week
(sixteen classes a month in total). This is to encourage people to train more,
without spending a fortune. “The more you train, the better you get, and the
more instinctive IT becomes!”
C:
We post regularly; Jeet Kune Do Bristol is our Facebook page and group, and backoff.club
is our instagram and website.
P:
That has all the information about what we do, when we do it, prices. You can
book that way or just contact us, if you’re interested.
C: Yes,
if anyone’s interested please feel free to drop us a line, a phone call; an
email, it’d be great to hear from you. The website’s under construction, we’ve
just got a landing page at the moment.
A:
I looked up your Facebook page, and there’s loads of information there. All the
information I needed when I was interested in the class. Well, that’s all from
me. Thank you both very much.
C:
Thank you, it’s been great.
P: Yes, thank you very much.
Check out their website here Jeet Kune Do Bristol http://backoff.club/
Mook Jong – Wooden Training Man
Posted by Doug on 21st December 2018
Don’t Be a Dummy
The Wooden Dummy, or Wooden Man, is considered by many to be the mascot of Chinese martial arts. Made famous by classic Hong Kong Kung Fu films, like: Warriors Two, The Prodigal Son and more recently by Donnie Yen’s Ip Man Trilogy. !
One of the legends of how the the Wooden dummy came to be known, was through it’s usage by Red Junk Opera, which is said to have not only given us the Dummy, but also the famous Wing Chun Dragon Staff. The company, who had been taught the Wing Chun forms, began in secret to practice their newly acquired art on the mast, and from there the dummy as we know it today started to take shape.
After years of adaptations, it became what we know today. At Enso, we have been fortunate enough to acquire one based on the exact dimensions of the Koo Sang Dummy. Koo Sang was a student of Ip Mans, and his design is now considered to be the only one for serious martial arts practitioners.
Of course, it’s not only for Wing Chun, any style can be improved through the use of a Wooden Man. If you wish to test your punching or kicking applications, condition your arms, shins and fists then this is ‘the’ item for you, and for some, the only piece of equipment they’ve ever needed.
December Events 2018
Posted by Doug on 21st December 2018
UFC FIGHTER – Nad Narimani – 3hour MMA Seminar
Date: Saturday 22nd December 10:00 – 13:00
Location: SweatBox Gym – 2-3 Princess St, Bristol BS34AG, UK
Tickets: Pre-book at https://www.sbfitness.uk.com/events for
£35 – Limited to 30
PUMA National Squad
Training
Date: December 2ndSunday. From 10:00 – 13:00
Location: Yate international training academy
Sundridge Park BS37 4DX Bristol
Tickets: £10 for
three hours (£7 for Tang Soo Do and Kickboxing students, only doing fitness
sparring elements). A family discount is available, £16 for two family members,
an additional £5 for each subsequent family member
10th Submission Only, No Time Limit, No Gi, Competition
Date: Sunday, 2 December 2018 from 12:00-17:00
Location: Gracie
Barra. 3-15 Herber dtreet,
Bristol, BS5 9JT
£20 mat fee. No need to book – just show up and pay on the door.
The BCCMA Sanda Cup 2018
Date: Saturday 8th December 2018
Location:K2 Leisure Centre, PeasePottage Hill, Crawley, West Sussex, RH11 9BQ
SpectatorFee: Adults£10 Children £5
Competitors
Fees: BCCMA
Members: £25 NON BCCMA
Members: £30
Please check this page on the day
of the competition before you travel in case of any unforeseen circumstances
effecting the competition.
Mike Sadler of Bristol Shorinji Kempo
Posted by Doug on 5th November 2018
MIKE: This week I’ve come down to meet Mike Sadler at Bristol Shorinji Kempo, and he’s going to explain what that is. So Mike, how did you get into Martial Arts, how did you get here?
SADLER: Well, when I started university, I went to Southampton University, I had the intention to start a martial art because I wanted, primarily, to learn how to use my body, rather than anything specific like self-defence.
M: So you were quite keen to start something martial?
S: Yes. Looking back it could’ve been dancing, but martial arts it just seemed to fit.
M: Is that a regret?
S: Haha. No, I’m happy the way things worked out. But it did occur to me at that age to consider it.
M: Is this the first style you stepped in to, or was there something else in Southampton you started with?
S: Well Southampton University has a surprising number of martial arts, so I think by the time I left there were twelve or thirteen and when I arrived there, there were eight or nine, but they used to have demonstrations of each martial art, one after another. So I went to more demonstrations. They had Taekwondo, didn’t have Aikido in those days, two forms of Kung Fu, several karate’s and no Judo, but they covered quite a lot bases.
M: Big place then!
S: Exactly! And they had a beautiful Judo room for kids, with mats all over the floor.
M: But no Judo?
! !
S: But no Judo. It might have appeared later, but I’m struggling to remember. Basically, I looked at them all and decided which I liked the look of, and the two, to my untutored eye, which looked the most interesting were one of the Karates and Kempo, which I’d never heard of and I’m sure most of your audience haven’t.
M: Probably very true.
S: But the main difference were the instructors. So the Kung Fu instructor was very good, I’ve no doubt of that, but the first lesson I went to had things like eye gauges, and I thought, undoubtedly effective, but…
M: Not what you were looking for.
S: Yes, it’s just too strict. So the other one was taught by, well he was actually a student at the time, and he was very young, tirelessly shy, and everything he said about Kempo and the philosophy behind it just fitted much better with my moral views. So it’s all do not act to harm the aggressor, it’s trying to do the minimum you need to in any given situation to keep you or whoever you were trying to defend safe.
M: Is that against any level of attack that’s coming in and you try to block it nicely?
S: Yes. To be honest, everything’s down scaled as much as it can be while being effective. So for example there are some techniques which are variations of Jiu-jutsu techniques, which would’ve been like arm breaks, and there’s a different version which is just as effective but without breaking bones. So the general philosophy behind it comes from a Chinese saying: “To avoid rather than fight, to fight rather than hurt, to hurt rather than injure, to injure rather than maim, to maim rather than kill. For all life is precious and can’t be replaced”.
M: Great words to live by.
S: Yes. So eye gauges don’t come in.
M: And everyone gets to walk away.
S: Yes, everyone gets to walk away and it’s a better way to live.
M: Yeah. So you went straight into this, and have you done it ever since?
S: Yes. Technically there was a ten-month break when I was in Germany, but I still trained when I came back and turned up for seminars. But you had to be pretty much uninterrupted to learn more advanced skills.
M: And is that what took you into the art or was it the rules to live by, or the fitness element, or did you find something once you started training in the art that captured your interest?
S: The philosophy is probably the broader structure that kept me here, without that… If it were full contact competitions and so fourth…
M: You’d have probably moved on?
S: I’d probably have moved on. But the martial art itself is so broad that there’s always something else to learn, so even the first technique you learn as you walk through the door is relatively complicated; a joint reversal which is common enough in many martial arts, it’s on the white to yellow belt syllabus and I’m still learning stuff about it now, twenty-five years later.
M: So like any good martial artist, always learning and always reassessing?
S: Yeah, and the syllabus is extremely broad and there’s always something more to learn. You could regard that as a downside if you’re a finisher, or you can regard it as having infinite opportunities, no matter how old you get.
M: It’s always good to have something else to learn.
S: Yes. And I tend to take the natural approach.
M: Fantastic.
M: So, you started in Southampton as a student. When was it you decided you wanted to be an instructor and go down that path?
S: Earlier than I’d anticipated.
M: Oh really?
S: I’d just completed my black belt in 1997.
M: How long you had you been doing it by that point? S: Four years.
M: Ok, that’s pretty good.
S: I look back and think I’d barely even begun. I ended back in Bristol for work, and another black belt who was a couple of years ahead of me, also ended up back in Bristol at the same time. At the time, as first dans we weren’t qualified as teachers, but because two of us ended up in the same place, we decided to teach half the class each, which from my point of view taught me a lot and undoubtedly worked out better, for the first time I started teaching on my own, even though it was a few years later.
M: From each other as well.
S: Well exactly, you have to learn to work around each other. And just by analysing your own feelings of how that’s going on is… more turns up than you imagine. But to never undermine, or contradict, or talk over each other, you just end up learning to work together, which is part of the philosophy of Shorinji Kempo anyway; work in pairs. This is one of the aspects where competition can be very much controlled. Because all of us in the class are here to learn from each other and that doesn’t particularly matter about the grade difference. And if there’s anything that I know which could help them, even if it’s to do something to me, then I would teach it without hesitation, and like wise with each other.
M: So everyone gets some input.
S: Yeah, you can learn from anybody. Different people have different joints, they work differently, so if I’m trying to do it on someone completely new, their joints might be slightly different.
M: Stiff?
S: Yeah, stiff. I once worked with somebody who was, I’d say, triple jointed and had no nerve points at all.
M: Were they hyper-mobile?
S: Yeah, they just had none of the normal nerve points. M: That’s quite useful.
S: Basically impossible to do. But most people have some variation of that, possibly having the disadvantage of a high level of nerve points, so every joint hurts. I’m slightly larger and heavier to move, so when working with somebody else, I’d say move more, move slower to let me fall and that sort of thing.
If you always hold a few secrets back because you think you might need them in the next competition, then maybe you don’t…
M: Don’t fight to your full ability?
S: Yeah, you don’t explain all your weaknesses, because as far as I’m concerned, with my lot, I’d tell them all my weaknesses then expect them to tell each other, to help each other.
M: And explore those as mutual ways of teaching.
S: Yeah. And in the class you get into the habit of working in pairs, to try to get these things to work. They’re painful, you can’t just slam them on each other.
M: They need to have some understanding of how it works.
S: Yes. But also, part of the philosophy of the habit of working in pairs, is it becomes habit, so that you take a similar approach outside the dojo as well as inside.
M: Ok.
S: Something I have found is that my own thinking seems to be different, even from these guys. I went on management courses at work, and found my general approach was different. They did all these contrived games and you found that a lot of them seemed to take a hard line; ‘let’s win’ talk! Nonsense. I found that, because I chose Kempo, that my approach was not going in that direction, along with a small minority of people.
M: So you said you started in 97, is that how long this class has been going?
S: Yes and no. I started training in 93 and we started the university dojo in either 97 or the beginning of 98. It took a while for the university to let us in, they were never too keen on martial arts because we didn’t bring back trophies. I had to go for an interview in front of the committee. Broadly speaking, all the students there were very happy and welcoming, but the permanent member of the committee, you know, the traditional grizzled old man, gave and impassioned speech about how they don’t want martial arts.
M: Why?
!
S: Just about trophies really. So I don’t think we were ever going to be on the same wavelength. But it did eventually get to the point where some people were getting too old for the university dojo. It was down in All Saints Road. And we’ve been training in Fitness For Less ever since.
M: I’d like to ask a bit about the style, as I don’t know much about it and I’m sure our viewers don’t either.
S: The name Shorinji Kempo. The second part is similar to Kung Fu; it’s referring to fighting style. The first part, is the Japanese translation of Shaolin. The origins of Shorinji Kempo are very much shrouded in mythology, but most of the Japanese martial arts have a link to China. Shorinji Kempo’s is much more recent. The founder of Shorinji Kempo studied in China between the wars, so he not only studied Japanese martial arts, he also studied Chinese martial arts, so the style is usually lighter than Okinawan styles, but that also depends on the instructor. But generally, the kicks and punches style is much lighter. It’s half way between some of the lighter Chinese styles and the heavier Japanese, but the modern styles have moved quite a lot.
M: Is it fairly balanced? From an outsider’s point of view it looks much more Japanese than Chinese.
S: The formalities are Japanese, and this is where my knowledge of Chinese martial arts is going to cost me. The Japanese have a certain way of categorising things, and I’m sure the Chinese do something similar, but the Japanese tend to rigidly analyse things and break them down, then categorise them, and in that aspect, in terms of the syllabus, you’ll see that.And obviously the language is Japanese. As we know the two countries don’t work that closely, but there still a connection between Sorinji Kempo in Japan and the Shaolin Temple, although the Shaolin Temple is no longer what it used to be.
M: Yes. On your website it talks about “the hard way”, “the soft way”, healing, philosophy and meditation. Is that your curriculum?
S: Yes, this is where Shorinji Kempo is quite different to a lot of martial arts. Shorinji Kempo has three physical sides and they translate to Juho, Goho and Seiho. Goho translates to hard side and Juho the soft side. The distinctions we use are that the hard side consists of kicks, punches, blocks anything with contact, whereas Juho, the soft side, is anything with persistent contact; throws, chokes, pressure and nerve point attacks.
Seiho is the third side; acupressure massage. That’s a long the same route as Shiatsu, so it’s using the same nerve points around the body, but for things like resuscitation, healing and resetting the muscles.
M: And you teach that in class?
S: Yes, but not every session. It’s one of those things that takes a sufficient amount of time, and two hours is too short, so we tend to do it most Fridays.
M: You’re also the secretary of the International Kempo Association.
S: Yes, so we’ve got an international grouping that we’re in, seven countries at the moment. Once a year we have a big seminar, this year it was in Bristol, next year it’s in Japan, last year was Spain.
M: Is most of that in Europe?
S: It is. There are six European countries: Ireland, Britain, Cheque Republic, Switzerland, Sicily, Spain and Japan.
M: So you have a set syllabus? Someone here could go out to Japan and train the same way?
S: Not quite, we’re working on a single set one. At the moment they’re all similar, they’ve all come from the same source, so to speak. Usually at international seminars there’s enough commonality not to worry about it.
M: Fantastic. So if I were a new student, just coming down to give this a go, is there anything I’d need to bring, and what could I expect in my first lesson?
S: Anything you can move in, is the criteria for wear. It doesn’t matter the level or the fitness. Train to your own level. If you have one arm, one leg you are more than welcome to come along. The whole point of Shorinji Kempo is that you’re developing as a person, so it doesn’t exactly matter where you start and where you finish.
M: So everyone gets something out of it? S: Yes.
M: Right, well I think that’s it. Thank you very much, it was an absolute pleasure.
S: Thank you for coming down.
Bristol Kempo Clubs Recommended by us
Posted by Doug on 5th November 2018
Bristol Shorinji Kempo (as discussed in this months interview)
Fitness4Less, 15-29 Union St, Bristol BS1 2DF
Mike Sadler 07972 815064
www.bristolshorinjikempo.org
Kenpo UK
14 Victoria Avenue.
Chard, Somerset, TA20 1HE
or
Old Red Cross Hut
Warf Lane, Ilminster , TA19 0DS
Tel: 07717576018
www.kenpouk.com
Budo Warrior School
TEL: 07776 202011
Email:budowarriorschools@gmail.com
Web: www.budowarrior.ninja
Cold Steel Katana
Posted by Doug on 5th November 2018
The samurai sword is arguably the most recognized bladed weapon in the world. Swords have always been a symbol of strength and status, but the katana, to me, epitomises this statement. For the majority of us, the Samurai were solomon, honourable warriors, with rigid routines and ceremonies, which they were bound to follow, through strict disciplining of their minds, bodies and spirits.
Though their level of honour was much more subjective than we would like to believe, the importance of their status in society was not. Being the toughest and the strongest was of the up most, and losing face, could result in death for anyone who dared to insult them.
The craftsmanship of their weapons could say more than their actual skills. If a Samurai had a well made katana, it would suggest that their fighting ability matched the high level of which it had been made. Anyone with an interest in Kenjutsu (the art of Japanese swordsmanship) will have likely seen Quentin Tarantino’s glorious ‘Kill Bill’ films, and will know of Hatori Hanzo; considered (in the films universe) to be the worlds greatest Katana black smith. When his name is mentioned, people automatically believe that the wielder of one of his works, is a master “in the exquisite art of the Samurai sword”.
Known for their durability and attention to detail in all their products, ‘Cold steel’, is a brand with over thirty years of experience in hand made weapons, ranging from modern ‘peacekeeper’ training knives to histories most iconic weaponry. Their Katanas are hand crafted carbon steel, using traditional techniques on the sword, handle and saya (scabbard). They may not have been forged in sixteenth century feudal Japan, but these are some the best made Katanas in the world today.
At Enso, we have a range of Cold Steel Katanas. Pricing can be from £160 (the Asano Katana) to £700 (the Emperor Katana). This price range is due to the amount of material and time that has gone into each sword.
As incredible as they are to hold and use, these are serious weapons, and as so should always be handled with respect.
For more details and video examples of a Cold Steel katanas capability, please go to our website: https://shop.ensomartialarts.com/coldsteel-cold-steel-emperor-katana.html
Martial Arts Events November 2018
Posted by Doug on 5th November 2018
1) Bristol/Weston-Super-Mare Tai Chi Association Seminars
Master Chen YingJun
Bristol – Thursday 15th November 2018 – 7:00pm – 9:30pm
Cotham School Dance Studio (BS6 6DT)
2) Ultra White Collar Boxing
Ultra White Collar Boxing
Bristol – Saturday 24th November 2018 – 4:00pm – close
UWE Exhibition and Conference Centre (BS34 8QZ)
3) World Martial Arts Championships 38th Year
London – Sunday 18th November 2018 – 9:30am – 7:00pm
Crystal Palace National Sports Centre, London (SE19 2BB)
4) Ultra MMA
Ultra MMA
Gloucester – Sunday 18th 2018 – 4pm – close
Hatherley Manor (GL2 9QA)
Johnny Munden Interview
Posted by Doug on 3rd October 2018
The Muay Thai Talk
Shelley: Johnny Munden, Muay Thai trainer and lovely, lovely person.
Johnny: Thank you.
S: So just a few questions about your wonderful club, if that’s ok?
J: Absolutely, no worries.
S: Firstly, I can’t believe you have so many girls in your club, is that just your club, or has there been general increase?
J: No, there’s been a definite increase. One of the joys of Sweat Box is that you get to see the Jujitsu, MMA, the Thai boxing and even the Boxing classes, you can see it going across the board, and because everyone is so open to it, you see it on every level, so from the fitness side to people doing every single class, and also the lovely thing is that it’s all equal and that’s the thing I’ve seen change over the years. A few years ago, it would be one woman in a class of thirty blokes…
S: Haha, that’s normally me.
J: Exactly! And it’s so good to see the difference now and how it’s evolved and moved on, and it’ll keep doing that. Definitely.
S: That is quite impressive! But you were just saying about MMA and you’ve got loads of different things at SweatBox, so from a Muay Thai perspective, what’s your feeling in terms of people training in different martial arts? Say if someone did Boxing, Kickboxing and Muay Thai for example?
J: Normally, I would say once someone’s got a core in one thing they’ve got something to evolve from. The worst thing I tend to find is someone who says ‘I do MMA and I’m going to do this, this and this’ and they’ve done nothing, so then they become crap boxers and not the best kickers, so it doesn’t flow together, like tonight we’ve had boxers, Taekwondo etc all working from the same background, but again evolving towards becoming a Thai boxer, so once you’ve got to that level, then I’d say yeah, try other things, or go to the appropriate MMA classes, not just try this here, this there. So, with something like SweatBox it’s all joined up, like if I tried a different gym, and a different and a different gym, the instructors would be different, some would say ‘keep your hands up’, others, ‘put your hands down’, then you get that conflict and you don’t get the full experience.
S: You get that with fighters though, surely?
J: Oh yeah, absolutely! But the thing is that most fighters have been training long enough to have their own style and styles make fights, so at the moment if you’re dropping your hands like Connor Macgregor and knocking people out, who am I to tell you to put your hands up, but if you’ve just started and you’re doing that, most people that start switching stances don’t have a clue what they’re doing, they think they’re faking out the other person, but they generally don’t know what they’re doing, so then they get hit, and they think ‘oh, this is rubbish’ then go off and do something else.
S: So what about you, have you always done Muay Thai?
J: I started off being a very fat…sort of like a drunk man. Haha.
S: Haha, so nothing’s changed then. Just not fat.
J: Haha, yeah, I’ve not come up quite so fat. But Mike Tamsin who runs Barton Hill Muay Thai, we were friends. I never liked martial Arts, hated it, didn’t want to do it, and he tricked me into going to a class. I promptly quit the first session, but then I had to go to the next one, and that’s when Martin heard and sort of took me under his wing and it just evolved from there with a first class up in Whit church with a guy called Fara Melly who came down a couple of times a week from Manchester, training under Master Quin and Master Woody, who were the ones who graded me as an instructor, all those years a go, but yeah, it’s mainly been the Thai Boxing and then it evolved into Boxing, then into Jiujutsu, then into the MMA when it first came on the scene with Kevin O’Hagan, and at that time there’s was only one place to train in JiuJutsu, one place to do stand up, we did our first stand up seminar at Whitchurch years ago, Kev did a mat, we did a mat, and it was at the beginning of UFC and before people knew what MMA was and now you’ve got choices to train every day of the week, some people are seven days a week, it’s just so different to training in church halls, like moving chairs out the way and slipping on slippery floors and having one bag in the corner, if you were lucky, I think the first boxing ring was down L.A. gym and that would’ve been at least ten, twelve years ago, so means that there would’ve been at least thirteen years of not having anything like that. So when you went off to fight clubs that had their rings and were full time gyms and you beat em…that always felt good!
S: I see that Craig Manar, he trains as well, doesn’t he?
J: Yeah, he does!
S: He has quite a lot of respect for you, on facebook. What’s all that love for?
J: Well, Craig was kickboxing, originally.
S: Who with?
J: Dave Clapworthy. And again, it was one of those things; we had a fight coming up, he came to my class and I…beat him up…
S: Haha
J: and we’ve loved each other ever since, but I didn’t think I’d see him again, but he turned round and said ‘that’s it, I wanna do this!’ so then he went off, trained in Thailand as well. I absolutely adore the bloke. He was instrumental in getting us more fights and moving the club forward. And now, the club’s evolved from being a few clubs and now it’s come back as one family whether it’s Barton Hill, Knowle, it never mattered, because you do your thing, but we’re all together.
S: And do you feel part of a family?
J: Oh yeah, totally, it’s always been a family. The thing I love is that everyone’s equal, doesn’t matter if it’s your first session or whether you’ve been training for years and you’re a champion, the bottom line is that everyone’s the same and it should be welcoming with that little edge of ‘I’m gonna test myself tonight’ but there’s no egos, it’s just get in, train, enjoy yourself and leave.
S: What about when people train, what do you see, as an instructor, as the main barriers, do you think it’s more mental or physical?
J: Generally, the hardest thing is coming through the door. I try to get people to at least step into the ring really early, not to fight but just to feel it, otherwise people put things on a pedestal, and they go I cant do this I cant do that or they look at someone and don’t realise that that person’s been through the exact same walk as they have, and that they were the smallest person. I remember the first year of my training, I just became very good at running backwards, really good at running backwards, and then people say ‘you hurt me with that’, and you’re like, ‘oh, did i?’ and it evolves from there. And everyone’s had that, and because I never knew anything, I’ve always preferred people with no confidence coming in, then getting the confidence and seeing that progression, that’s my pleasure, but I do find that once you get over that then there’s these triggers in their own heads saying ‘ ok I do want to move it up’ then they go from training once a week, twice a week then to five times a week to seeking out people to test you, instead of going through the easy route. That’s the thing. Kevin O’Hagen’s just done a brilliant blog, and again it’s not always about winning; you lose to people who are better than you, and you learn from it to move yourself forwards, not to be a horrible person, it’s about testing yourself, and the thing is it’s only when you’ve been beaten up loads of times, but in a nice way, that you have the confidence to turn around and start trying what YOU want to do. So it’s always mental, but once you get past that, then it goes in tandem. Even now the training regimes are different to when we used to just batter our bodies, the point was until you broke things, you didn’t know what didn’t work, however now, people are much more aware of recovery and to train smarter instead.
S: What do you think about those wooden things that cut across the shins?
J: Ah, that’s old-school crap. Haha. You should condition yourself by kicking heavy bags, kicking each other, kicking shin against shin to a degree, but there are people who substitute that and think ‘oh, I’ve got hard shins, so that’s ok’ I went through the stage of kicking lampposts…the day a car door slammed on my shin, I went ‘Ah…oh it don’t hurt’ and I was really pleased, but the bottom line is, it aint good for you kids, it’s not good for you. But you’ve got to have that conditioning, if you only focus on giving a punch, or a knee or elbow or whatever, when you’re scared of it, you react like that (flinches) and what happens is you get hurt with the second or third part of the combination, whereas when you know you can take it, and you’ve got that confidence, confidence builds and the only way to do it is repetitively over the time.
S: So what do you reckon then, practice makes perfect or practice makes habit, or bad habit?
J: Practice makes permanent is the way it tends to be worded. But you can’t get perfect without practicing, but the thing is if you have has a bad technique and drill it thousand times… it’s what you do under pressure, and what you drill all the time is what happens under pressure, and we’ve got to work with that because your mind gets into fight or flight, I’ve seen people shadow-box the best beautifully and then they get in the ring and all they do is jab, jab, kick because their heads not right or they haven’t conditioned their breathing properly, again that’s another thing; the breathing, when people are training, they don’t think about it, they think about the muscles, but the breathing makes such a difference to being relaxed enough to be able to what you need to do at the time. Practice makes permanent, but it also makes perfect because if you haven’t got that targeting, that speed… it all come from practice and if you haven’t got, then you aint got nothing.
S: You trained in Thailand, didn’t you?
J: A few times I trained in Thailand, generally around Koh Samui, Phuket over the years. Not massively, because I do like Thai food and I do like drinking and those beaches are really lovely, so I’ve got to be honest with you, I could’ve done a lot more, but I’ve got some bloody good photographs from there.
S: You’ve got a Thai tattoo on your back, right?
J: Yeah.
S: Where did you get that done?
J: I had it done in Koh Samui just next to WMC gym, there’s a place called Tattoo metal, I think. It’s a Thai pray for protection and for health, and family. But the thing you find is that people who think the fighting is where you are, it’s not, the bottom line is that you get a calmness from it, you don’t need to go looking for fights because you get your face busted up all the time anyway, so the reality I find is that it does calm you down. I’ve done a lot of stuff in the past, where I’ve had guys who have who have had troubled pasts; dug rehabs, violence etc, and it calms them down. I’ve lost track of the number of people that come up to me and say thank you, over the years.
S: So it gave them some sort of purpose?
J: Totally. Again, it’s because they feel like part of a family. They don’t feel that aggression, which people who are backed into a corner tend to have and lash out with. And then again, there’s always someone who can turn around and do you on the day. There’s nothing like so grand as not being able to move your leg, because it’s been kicked to shit.
S: So, last question then.
J: Go for it.
S: Best moment or memory of Muay Thai.
J: I got the English title back in my early thirties, so that was great, as I worked for it and beat the current champion. And that was luck, having the people come up from Bristol to support you and that was superb. It sounds stupid, but most of the time, the guys who have done nothing, that gets out again. But the standard of these guys and commitment the guys are putting in now, it sounds stupid but we all look back at the old days, and I remember going up to Manchester to train with Chuck Adele in Birmingham and things like that. But the thing is I love it! And all these things make you who you are. And I don’t think I would have the life I have if it weren’t for Thai boxing and not in an horrible way, it’s just been infused into my family life, my work life, it’s infused into the person I am today, most of it’s because of the confidence that came and the people through that as well. And I think that’s more for me than anything else. It’s the people around you that evolve off of it and see how they move on a progress is a beautiful thing. Like one of my students, you don’t wanna know what he was like when he walked through the door and now he’s turned round the last fight he did was absolutely superb, but again, as I said, he’s evolved and now he’s a great instructor, had fights in Thailand, when in with K.O.s to the face, where as before he couldn’t
Thanks Johnny for a wonderful session and a great chat, see you again soon! You Can train with Johnny at SB Fitness in Bedminster.
Muay Thai Clubs in Bristol Recommended by Us
Posted by Doug on 3rd October 2018
Name: Sweatbox Gym (Muay Thai Featured in this months interview J Munden)
Address: 2-3 Princess St, Bristol BS3 4AG, UK
Description: “We offer classes in Martial arts and fitness. We have a dedicated team of staff who offer personal training and small group training. ”
Email: admin@sweatboxgym.com Tel: 0800 852 7538
Head Trainer: Jess Wheatley (Co founder)
Name: PCT – Personal Combat Training
Address: Bristol Fitness Gym
Methodist Church, Clouds Hill Road, Bristol BS5 7LH
Description: “Paul is a brilliant trainer and an even better motivator, bringing his unique brand of energy and accredited knowledge of sports fitness and martial arts to get the best out of you.
Email: personalcombattraining@gmail.com
Head Trainer: PAUL ‘SKYBWOY’ STUDHOLME (BSc) Tel: 07583024292
Name: Combat Warriors
Address: Easton Road/Lawrence Hill, Bristol, BS5 0BY
Description: So if you want to achieve the best shape of your life, improve flexibility almost overnight, get motivated and achieve your goals, come and test drive one of our training centres for yourself.”
Email:
Tel: 07970 518 121
Head Trainer: Kru Lee Badman
Name: BAM Muay Thai
Address: Greystoke Ave, Bristol BS10 6AS Description:
Tel: 07788 262397
Head Trainer: Gary Rowley
New Range of Sandee Thai Boxing Shorts, Review
Posted by Doug on 3rd October 2018
Sandee, have been manufacturing some of the worlds best Muay Thai equipment since 1977, and their latest Thai Boxing shorts live up to their world renowned reputation.
As always, Sandee has combined comfort, practicality and style to create their newest design. The result: The Warrior shorts and the Inca shorts. Both designs are 100% polyester satin, giving the wearer a confidence to be fast and light on their feet, a feature that any fighter will agree, is an advantage. Sandee have added a raised hip cut, that, as well as the elasticated waist-band give the titular Thai fighter all the freedom and range of movement they could ask for, ensuring that they are comfortable, can push themselves to their physical limits and look great while doing it! Have the confidence to get into the ring, and you’re half way there. And honestly, who needs more than that, when one is sporting a pair of the Warrior shorts in purple and pink. That combo tells anyone that you’re serious. But, just in case… DO THE TRAINING ASWELL
Martial Arts Events in October 2018
Posted by Doug on 3rd October 2018
CHLOE BRUCE SEMINAR
Newton Abbot Martial Arts – NAMA,
Location: Newton Abbot Leisure centre
Newton Abbot,
United Kingdom,
TQ12 2SH,
Filipino Martial Arts Festival 2018
Location:
Mulberry Sports & Leisure Centre
Richard Street
London
E1 2JP
Date and Time:
Sat, 6 Oct 2018, 11:00 –
Sun, 7 Oct 2018, 16:00 BST
Description:
This year Europe’s leading festival of Filipino martial arts returns to London.
This is your opportunity to train with some of Europe’s leading instructors of:
Doce Pares Eskrima – Cabales – Serrada Escrima – Lapunti Arnis de Abanico – Escrima Concepts – Integrated Kuntao – Kalis Illustrisimo – Balintawak Eskrima – Lightning Scientific Eskrima – Rapid Arnis – Modern Arnis – CSSD – Estilo Libre – Kapatiran Arnis – Tabak 1900 – Pekiti Tirsia Kali – Kombat Kali – Warriors Eskrima – Sayoc Kali
Central England – 6th International Open
Date: Sunday 14th October 2018-09-27
Location: University of Worcester, Arena Hylton Road, Worcester WR2 5JN
Details: £250 prize money for most successful club – Total prize money £1,400
MTK Mixed Martial Arts
Date: Saturday 13th 2018
Time: 3:30pm
Location: London O2
Details: MTK Global MMA returns to indigo at The O2 on 13 October for a night of explosive combative action.
Follow www.mtkmma.com for more details.
Interview with Lloyd Allen of PowerSports Gym & The Bristol Death Squad
Posted by Doug on 1st August 2018
Mrs Enso has been training around the city in her time back in the UK and has caught up with some old friends and training partners getting the low down on what they are up to these days. This week she was at PowerSports Gym chatting with a well known face around these parts Lloyd Allen.
Shelley: (Sitting down at the end of a hard session) Hey, how you doing, Its really great to be back here in this gym I’ve always found it really friendly. So, Lloyd how long have you been training?
Lloyd: I’ve been training for 45 years now.
Shelley: FORTY FIVE YEARS WOW!!! That is crazy!
Yes, I started training many years before you were even born (sniggers)
It really was! So how do you keep yourself SO fit?
Well I do a lot of outside training and I do a lot of other sports too…..
Like what?
Badminton, Cricket.
How do you find time for it all? I can sometimes only squeeze in a couple of sessions a week!
Well, I’ve always really loved Kickboxing and Kung Fu and I always try and keep myself fit even if I am not doing kickboxing.
Is that Lau Gar Kung Fu?
Lau Gar Yup.
So, when I train here it feels a bit like a party actually with the music and the moves ….
….Well, that is what we try to create, let people feel confident and relaxed and I always think, when they start feeling relaxed, that is when you get the best out of them. We like to get the feeling its like a party, if people are tense and stiff its no good, you can’t get what you want out of them. Once they feel relaxed you can get more across, it’s hard work but they enjoy doing it. The music really helps, the beat of the music gets everyone going and they don’t realise how much hard work they are doing.
That is very true! You feel it afterwards though. (laughs) What about the footwork?
Yeah, the foot work it is like dancing, we try and be quick on the feet, we do lots of running and sprinting and everything else because in semi contact we need the speed and the timing, you’ve got to be able to have that sudden burst to explode when you need it.
Is there much difference in terms of training from points sparring to semi contact to full contact?
In the points sparring we tend to emphasize speed and timing, that’s where the sprinting comes in, being able to explode from one part to the next. For Full Contact its not so much the speed and more about the stamina, to make it through the rounds, you have to be able to give and take in full contact, in the points spar you don’t have time to give and take its got to be get in quick BAM first one in gets it.
Full contact is usually the last resort, we start with Semi, the points sparring, then work up to light continuous, then full contact. For the full contact you have to condition your body of course, because you have to be able to take it, its not a case of the first one to score in full contact, where as points it’s the first one to connect. People get to train all three sides of course so if your speed goes you can move on to the next thing, where you might be slower but you can go further.
There seems to be very much a team spirit so how do you train that team spirit?
Well, the music helps it gets that good vibe, it keeps you going, keeps you happy, until it stops then you want to stop (laughs). We train together like a team and that is important especially if at competition you have a team fight, the first fight is as important as the last. So you have got to be able to encourage all the fighters that come up, not just one or two. So if he gets hit, we feel it on the side line, so we will be behind them at all times, we get behind them shouting instructions and giving them confidence when they are fighting.
Have you had any absolute plonkers ever come into the club over the years?
I’ve had some people come in who think they are tough, and you can usually test them out in the first few rounds. They think they can do this or that and they brag about what they can do. Then we do the workout, then they realise we are going to do the workout THEN fight, you say come on put the gloves on and they are thinking WHAT how can we fight after we’ve just trained! (Laughs). If you brag about what you can do, then I already know what you can do and what you are going to do, which helps me, so you don’t go shouting off about it all. People bragging about what they can do is just talk, Action is better than words. (knowing smiles and giggles all round).
When did you get into competition, The Death Squad, how did it come about?
It started off when I first took over the club, there was a chap who was teaching, Winston Greenwood, and he turned to professional boxing, I was the next senior. The fighters we had in the club at that time, because we were training so hard, they were keen to go into competition and get some medals or something. So it became my job to find some competitions to enter, at first we started fighting in karate tournaments because they were open so anyone could enter. However because we were kickboxers and it was for karate they didn’t really want us to win or it looks bad on karate….
So the judges were biased?
….Yeah, the judges wanted Karate to win so we realise we need to be twice as good as them to beat them. The judges were not giving us points, they would pretend they had not seen it or whatever. It got to the point though where the crowd were seeing it and backing us, so if we weren’t getting points they were booing the judges, so they had to change it. It got to the point where we were beating all the karate guys but the Tournament was good for them because they got to promote with our name The DEATH SQUAD is inviting any other club to come and fight them.
Where did the name come from?
It comes from a guy in Cardiff called Una Wellington, he use to promotes the tournaments over there. Because of the way we fought in the tournaments, we use to go there to win, if there was six of us in a line then six of us would win. I use to fight number one, and it all went along in order, we had one female fighter Sharon Gill….
….She looks exactly the same as she did then!
…she was our last fighter in the line and we would have five wins and she was the last to fight and she’d make the six, and we would support each other. That’s how we done it and then people would be like “I don’t wanna fight that lot” . Then people outside who hadn’t seen us wanted to bring their club down and challenge us to a fight, so in a sense it was making it good for the tournament and we had people from Liverpool and Manchester coming down to take us on. So that is how we got called the Bristol Death Squad!
Who were the original six?
Me, my brother Phil Allen, Keith, Nathan Lewis, Sean Veira, Sharon Gill and Stan Moore. We had an A B and C team as well not just the one team. Because of the way we was fighting they created the England Squad and they took all our A team and then the B team was so good they took all of them for the England B team, so when they were all fighting internationally on the BKFA they were all the Bristol Death Squad.
Where were you fighting abroad?
We were fighting in the European Championships, so we travelled all around Europe for years then we went to places like the States, if it weren’t for kickboxing I wouldn’t know so many countries.
How did you get into refereeing?
After I stopped fighting on the international team I thought I want to put something back into it as I knew so much. There was already a lot of England Coaches so I thought being a Referee, we were supposed to supply 2 Refs each time we took a team abroad. They said that a good Referee was always from a good fighting background. So from that I went on to being head of the Great Britain Referees. I had to go to seminars and get the information if they had changed the rules or anything and come back and brief the Squad.
What did you find most challenging in that role?
Well, to be honest, what I found in Refereeing is, you have got to be positive got to be sure of your technique, give what you see, the minute you change your decision or if you are unsure you become a bad referee. You have to give what you see, not what the fighter tells you, if they say they did this or that but you didn’t see it, if you didn’t see it you can’t give it.
Out of all the fights you have seen over the years, do any stick in your mind, positively or negatively?
There are two top fighters we had Alfie Lewis and Kevin Brueton and they were brilliant!
What made them Brilliant?
Their technique and the way they trained, They trained like we do in Bristol, give 100% all of the time. Because he was doing it longer than I had I always look at him like a role model, same as Neville Grey my senior instructor he was another one that introduced axe kicks and things like that, so it was good for us to see that and take that back, bring it to the club and work on that. Every fight is always different so you can always take something from their and you are learning all the time.
It’s amazing what the Death Squad has achieved and done.
Well I found that what made our fighting better is because we just kept competing. We started in competitions where we weren’t winning nothing at all, so we had to train that much harder to win. Then once we started winning they started to respect us and then they didn’t want to fight us! They would see our row and they’d be thinking, I don’t want to fight him, or him, so, they would be switching their teams around all the time, we all use to fight in the same order all the time no matter what. At the start you have a list and that is what order you should be in. We use to find the opposite team would have switched around to try and balance the fighters. You shouldn’t look at the fighter and think I’ll put 3 with 5 or whatever. Because I was the number 1 fighter I had to set an example and win my first fight. Then the second fighter would come up and do the same and then they are thinking there is no weak link here, no matter what order they are going to win!
Did you never feel the pressure?
No not really, I never felt the pressure. We were on a buzz, we didn’t want to lose, we didn’t want to let the team down. So as I was the number one so I had to go out and win and then the pressure is on number 2 and so on. So when it gets to 4 and 5 they don’t want to let the team down we all feed off of each other.
When you see so many people come and go, you see some people have success and some not what is that difference?
The ones that do well are the ones that listen, ones that listen to you, you coach and they listen and you can see the difference in what they do. I’ve been coaching Kung Fu over 40 years and over that time I have had over 30 world champions. If this was boxing and I had 30 world champions I could have retired a Looong time ago. (Both laughing)
What I get out of it is that I get to see my student progress and get better than me, not as good as me but better, I always train people to be better than me. I try to keep my standards high, same on the exercise, if I ask anybody to do anything I make sure I can do it myself first before I ask them. That way the people who want to get somewhere can see how hard we train and what needs to be done so they know what the training is about and why they are world champion. I always say to people its not getting there it is the journey to there that is important. It’s not the black belt that is important it is the journey to the black belt that is important. So much work you got to put in, and you have to be prepared to give and take, you can’t always win every fight. You win you lose, its always good to lose so you can work on why you have lost and improve but if you just keep winning, you are up here and then all of a sudden one day you are gonna lose and drop (motions hand down) then you are thinking I thought I was top but now I’m down here. I always say start at the bottom and work your way to the top, rather than trying to start at the top and just stay there.
How did you come to know Sean Veira?
He was one of my first students, he started off when I first opened the club, he was a close friend with my brother Phil and that’s where it started off they have been with me for a long time and Sean has gone on to be 6 times world champion and the same with Sharon Gill and Nathan they all have 3 or 4 world championships, but at the same time they still remember where they started from. Sean may have a few classes himself but he still sees me as his Instructor and he has a lot of respect for me and I have a lot of respect for him. The same with Nathan, they all know where they started from and they all know whatever they have learnt they all know they started with me. I always think self praise is no praise but people know where they came from and I don’t need to go around telling anybody. Nathan even does stuff in the movies and he always talks about training here this is where he started and he always has good stuff to say about me.
You’ve got a lot to say too, at Stan’s funeral your speech was beautiful and really heartfelt. Everything you said was just perfectly Stan.
You liked that? Well Stan, well he was my cousin and with me the way I train as well, its like Dani I’ve got my daughter trains down there and my brothers whatever, and every one of them I taught martial arts. If its my kids I want them to be the best and if they have their own club I want them to go on and do what I do, so I push them a little bit harder and if they are my cousins or whatever I want their standards to be as good as mine or better.
What was Stan like in the kickboxing world?
He was very good Stan, he wasn’t the type of person who wanted to take gradings, but I said to him in order to fight the higher levels you have to do the gradings or you will only be fighting at the lower levels. He wasn’t interested in the syllabus side of things he just wanted to fight.
Did he fight with a big smile on his face?
Yeah, we use to beat people up and just laugh in their face, but that would make them more mad. He had a long reach on him Stan and he was well known for the back fist, he would just stand back and just smack ‘em like that (motions a back fist). He was well known for that (ponders thoughtfully with a smile).
So, how much longer do you think you will be running this club for?
How much longer, people said to me when I was in my 30’s how much longer and I would say “How long is a piece of string?” I always think if I can still walk I will carry on, that’s what keeps me going. If I was to stop doing what I was doing now I’d probably just be at home sat around eating and drinking. If I am the instructor it gives me the incentive to keep training, they look up to you and they think if I am 40 and he is 20 years older and he is still going that gives them the incentive to keep going too, and then age becomes just a number. At the end of the day you are as young as you feel. What I find is if you stop, say you stop for 10 years and then you come back again its not the same. You start thinking I use to do this, I use to do that, and I can’t, you get injuries and then as you get older the injuries last longer, but if you are training on a regular basis then you get use to it. Its like an elastic band if you use it all the time it stays supple and soft if you put it down for too long and pick it up it snaps. The same with chewing gum, you chew it its soft, if you leave it goes all hard and it snaps. So exercise everyday and keep yourself fit and your mind active.
Great analogy and thank you so much for the chat and the training tonight its been amazing!
Martial Arts Events August 2018
Posted by Doug on 1st August 2018
Dance & Martial Arts Workshop for boys (ages 7-12)
13th August 2018
10:00 – 15:00 BST
Address: New Park Community Centre, New Park Road, Chichester, PO19 7XY
Cost: 20.00
www.eventbrite.co.uk/e/dance-martial-arts-for-boys-summer-workshop-tickets-48118470641
Shaolin UK Summer Camp 2018
21st Aug – 27th Aug
Phone: 023 8063 4722
Email: ukstmail@gmail.com
Website: www.ukshaolintemple.com
Address : PITT ROAD, SOUTHAMPTON, SO15 3FQ
KSI V Logan Paul
Manchester Arena
25th August 2018
https://www.eventim.co.uk/ksi-v-logan-paul-tickets-manchester.html?affiliate=EUK&doc=artistPages/tickets&fun=artist&action=tickets&key=2222582$10926872
Extreme Cage Wars
4th August 2018
Energise Sports Centre, York
Cost: £30
www.ukfightscene.co.uk/event/extreme-cage-wars-ecw-august/
Top Ten Sparring Equipment
Posted by Doug on 1st August 2018
You can cover yourself from head to toe in Top Ten Sparring kit and it is approved by most fight associations too, which is a quick indicator of how good this stuff is. The international boxing association, the International Karate Federation, the International Taekwondo Federation, the World Kickboxing Organizations, to name a few. This is well made kit, which offers good protection using absorbent PPS foam covered in Nubuk (artificial leather) for most of the limb elements and a unique hard rubber for the head and shin guards that absorbs a considerable amount of impact.
This kit is not just good to reduce injuries its all got really simple and effect strapping to get in and out of it fast, but keep it solidly in place too, Mostly using Velcro straps. It’s also fairly stylish and modern looking, super light with good mobility, which is great for competitions.
Head: A rubber helmet that is one piece and is like an extension of your skull, there is no padding between you and the protection its all in one and does a good job of protecting the most important part of your body. They come in a couple of colours and in Sml, Med and Lrg with an adjustment at the back on each to get a nice fit on any size or shape head.
Hands: These gloves look like a stripped down boxing glove. From the outside it looks like a boxing glove but on the inside there is a more open palm area, making it 
useful for those styles with a few locks and grabs as well as just punch protection. Your hand slips in under an elastic wrist strap and you thumb and fingers slip into a pocket like section in order to cover the extremities and allow you to curl the glove in as you make a fist. You can then tighten a velcro wrist strap for a good fit. They are well padded but not overly bulky either. There is not much else out there on the market like this.
Shins: Like the head guard this is a solid rubber item that you place direct onto your leg, it has a good number of straps to ensure it stays in place during the most vicious attack and defense moves. These are fairly lightweight and pretty thin which is good for comfort and mobility.
Boots: These over foot boots are great, really nice and comfy, under foot strap to keep them on and another strap goes over the foot and around the ankle to keep them in place, they really absorb a great deal of impact. You can wear them with or without shoes although trainers may be a bit bulky under them.
Check out all these items on our website https://shop.ensomartialarts.com/search/top+ten+sparring/
